His language like his life is free flowing, a stream that follows the lay of the land and rushes forward from a source of nature. He is full of joy and enthusiasm and his ideas often run ahead of his speech. Thus a conversation with Don Cherry is not a linear, organized event. It takes many contours, and it describes the journey of a remarkable mind and spirit. Just as his music encompasses the ethnic expression of cultures as far flung as the hills of North Africa and the Watts ghetto of Los Angeles, the New York art scene of the ‘50’s and the free community of the diggers in Sweden during the ‘70’s, Don Cherry has always played his own way, a very personal music. Starting as a trumpet player and then moving to the "pocket trumpet" which he made famous while working with Ornette Coleman's band, Don moved on to flutes, double reed instruments, African string instruments (such as the "hunter's bow") and even became a singer in order to set free his musical voice. Don Cherry is s pioneer in the field of "world music", which, ironically, has lead him back to the classical jazz scene in the United States.